|1. Description - |
|Examination of photography's role in shaping ideas about race, class, gender, sexuality and national identity in America. Critical analysis of images from a wide range of genres including: commercial photography, portraiture, social documentary, photojournalism, ethnographic and scientific photography, erotica, and fine-art photography are discussed within their historical and social context.|
|Advisory: Not open to students with credit in PHOT 8H.|
|2. Course Objectives - |
|The student will be able to: |
- Describe the historical experience and photographic representation of minority groups in America.
- Critically analyze the factors in photography that have helped shape our perceptions, assumptions, beliefs and knowledge about different racial, cultural and ethnic groups and how these factors have either affected or reflected the treatment of these groups by society.
- Identify the major photographers and genres through their photographs and philosophies.
- Write about the important qualities of a photograph and compare and contrast one photograph to another.
- Describe how photographers from different cultural backgrounds contribute to the richness and diversity of American photography.
|3. Special Facilities and/or Equipment - |
- When taught on campus: lecture room equipped for slide projection, computer projection, and video/dvd presentation.
- When taught via Foothill Global Access: on-going access to computer with Email software and capabilities; Email address; Java-script enabled internet browsing software.
|4. Course Content (Body of knowledge) - |
- Looking at and writing about photographs
- Describing photographs (visual elements, subject matter, form, medium, style)
- Methods of interpreting photographs in photography criticism
- Issues of Representation
- Regime of representation
- Evolution and implications of ?®whiteness?Æ as the norm in America (rich, white, male, heterosexual, U.S. citizen)
- Role of the ?®other?Æ (Class, Race, Ethnicity, Gender, Sexuality, Legal Status, Religion)
- Defining photography as a powerful medium of representation
- The role of the camera in colonization.
- Historical and social context of colonization
- Photographic inventions and territorial expansion
- Anthropology, ethnology and photography
- Depicting a world of progress through visualizing differences
- Representations of the 'native' and the making of European identities
- Power relationships of representation (photographer, subject and viewer)
- Photographs and the construction of an archetype or stereotype
- Catalysts for the deconstruction of an archetype or stereotype
- Cultural minorities reframing the view of America
- Great Depression and the creation of federal agencies that used photography for documentation
- Development of mass-market magazines such as Life that incorporated photography for their substance
- Introduction of hand-held 35mm cameras
- Social and artistic movements
- Introduction of new and alternative representations (i.e. ?®New Negro?Æ image)
- Effects of representation
- Outsider perception
- Treatment in life
- discrimination (housing, jobs, educational opportunities, etc)
- Assimilation and isolation
- Interplay of class, race, ethnicity, gender, sexuality, legal status in American history
- Historical and social context of Native American experience
- Historical and social context of African American experience
- Historical and social context of Chicano/Latino American experience
- Historical and social context of European immigrant experience
- Historical and social context of Asian American experience
- Photography in Contemporary American Society
- Widespread preoccupation with issues of cross-cultural adjustment, displacement, and loss within contemporary photography.
- Effects of the media and the influence of the photography industry on visual culture and society
|5. Repeatability - Moved to header area.|
|6. Methods of Evaluation - |
- Twelve weekly discussion topic comments based on answers to questions or photographic image analyses designed to show student mastery of lessons and text.
- Twelve quizzes on each of the topic areas (e.g., Analyzing Photographs, Anthropology and Colonialism, Exhibiting the Savage, The Camera and the Immigrant, Looking Like the Enemy, The Consumption of Lynching Images, etc).
- 1000-word essays or photographic projects for each of the three parts of the course.
|7. Representative Text(s) - |
|Fusco, Coco and Wallis, Brian, (Editors). Only Skin Deep : Changing Visions of the American Self. New York, New York: Harry N Abrams, 2003. |
|8. Disciplines - |
|9. Method of Instruction - |
|Lecture, Laboratory, |
|10. Lab Content - |
|Lab hours consist of one or more of the following options: |
- Students will view and then analyze photographic representations of race, class, gender, sexuality and national identity in America.
- Students will watch and then analyze selected films that deal with race, class, gender, sexuality and national identity in America.
- Students participate in online discussions based on questions posed in weekly lessons. This participation consists of students posting answers to written questions provided by the instructor and/or posting responses to other student comments in an online discussion forum.
- Students will attend exhibitions (both independently and as a class). Students will then write descriptive/analytical/experiential summaries based on their exhibit attendance.
|11. Honors Description - No longer used. Integrated into main description section.|
|12. Types and/or Examples of Required Reading, Writing and Outside of Class Assignments - |
|Reading Assignments: Reading of 1 or more textbook essays for each of the lecture topics plus online lecture. |
Writing Assignments: Three 1000-word essays responding to a prompt such as:
Edward Curtis has been accused of dressing up Native American people in regalia and outfits they no longer wore, presenting false and stereotyped images of a vanishing race.
?Ø Choose one Curtis photograph of Native American people and describe the image (visual elements, subject matter, form, medium, style)
?Ø Why did Curtis choose to photograph only traditional Native American life?
?Ø How much did Native Americans participate in the way they were represented in his pictures?
?Ø How might others view Native Americans based solely on Curtis's photographic representations?
?Ø How might Curtis's photographic portrayal of Native Americans affect how others treat them?
?Ø How might Curtis's photographs impact how Native Americans sees themselves?
|13. Need/Justification - |
|This class is an restricted support course for the AA degree and the Certificate of Achievement in Photography. It fulfills the Foothill College GE requirement for Area I, Humanities, the CSU Area C and D and the IGETC Area 3 and 4. |