|1. Description - |
|Pro Tools production concepts and techniques with Avid Certification training material. Recording, editing, routing audio and MIDI data. Managing Pro Tools sessions, using virtual instruments, plug-ins, loop recording, Elastic Audio, Beat Detective and music notation. Conform loops and beats to any tempo. Introduction to control surfaces, automation modes and signal path workflows. Practical applications with examples from professional recording artists including pop, rock, jazz and hip hop. Create tempo maps, meter changes and transpose key signatures. Required for Avid Pro Tools Operator Level Certification.|
|2. Course Objectives - |
|The student will be able to: |
- Complete the Pro Tools Operator Certification Exam.
- Operate Pro Tools in a recording environment to Avid standards.
- Explain the Pro Tools file system.
- Operate Pro Tools with a control surface.
|3. Special Facilities and/or Equipment - |
- When taught on campus:
- Classroom with Pro Tools HD TDM recording system and 16 channel 192 interface.
- Digital control surface.
- 10 condenser microphones with stands, clips and cables.
- 10 dynamic microphones with stands, clips and cables.
- Apple Macintosh Mac Pro with at least 8Gb of RAM and 24 inch monitor.
- Active near field monitors.
- Guitar and bass amplifiers.
- When taught via Foothill Global Access:
- On-going access to computer with Email software and capabilities.
- Email address.
- Java-script enabled internet browsing software.
|4. Course Content (Body of knowledge) - |
- Study and analysis of Avid 110 level approved curriculum. (Lec, L-L, Lab)
- Multitrack editing using assigned groups, both mix and edit. (Lec, L-L, Lab)
- application of AAX plug-in effects via busses and aux inserts. (Lec, L-L, Lab)
- Advanced automation. (Lec, L-L, Lab)
- Instrument tracks and virtual instruments within the Pro Tools environment. (Lec, L-L, Lab)
|5. Repeatability - Moved to header area.|
|6. Methods of Evaluation - |
- Pro Tools Operator Certification Exam.
- Hands on demonstration of Pro Tools techniques including keyboard commands and operation of a control surface in a recording environment.
- Tests on mixing and mastering theory as presented in the Pro Tools 110 curriculum.
|7. Representative Text(s) - |
|Cook, Andrew. Pro Tools 110. Daly City, CA: Digidesign Publications, 2010. |
|8. Disciplines - |
|Commercial Music |
|9. Method of Instruction - |
|10. Lab Content - |
|Lab content includes topics such as: |
- Rack count
- Elastic audio settings and rendering levels
- Plug in and bus considerations,
- Insert tracks and routing importing and exporting file types
- Bit rate encoding
- Bouncing audio to disk
- Consolidating audio regions, etc.
- Other items may include subjects such as number of plug ins per insert track, bus assignments for efficient recording operation, and mastering compression settings.
|11. Honors Description - No longer used. Integrated into main description section.|
|12. Types and/or Examples of Required Reading, Writing and Outside of Class Assignments - |
- Written critiques and analyses of audio production projects including albums, soundtracks, television, video games and Internet multi-media.
- Written summaries documenting technical and artistic elements for corresponding submitted assignments and audio projects.
- Written proposals, session logs, learning outcomes and reflections supporting submitted musical works and final master recordings.
|13. Need/Justification - |
|This course is a restricted support course for the AA degree and Certificate of Achievement in Music Technology. |